As a university-aged videomaker, it can get a little disheartening. You see all the equipment available out there, and it can get overwhelming when you discover just because of the price range that you can’t have it. Me? I hardly make anything off creating videos. Everything I get is either gifted to me or paid for using the money I get for writing. So with that being said, it’s really easy to get down about it.
However, there’s more to it. You see, all this video stuff? You’re basically telling stories with it. There’s a great responsibility that comes with it all. Basically, you are documenting people as they are. Imagine if we had video cameras in just the 1600s or even the early 1800s. Could you even comprehend being able to see those people as they truly are, actually living and breathing? Minus Jersey Shore, the world today has an edge on everybody else before them.
Sure, it’s one thing to hear about people in a certain time period, but it’s another to actually see them living. With that, you start to realize the responsibility that you have making videos. You don’t even have to be good at it – I mean, unless you want to make a living off of it – for anyone can pick up a camera and hit the record button. However, it’s what you record that matters. In fact, it’s even who you record.
One of the most uncomfortable things that has ever happened to me as videomaker (so far) was when I got word that an inner-city ministry wanted to bring me back to shoot a promo video for them. They actually had me about two years ago when I was serving there and volunteered to make them a free video. Of course, I thought this was great, for I loved doing it while I was there, but on the technical side, the turn-around wasn’t nearly as short as I had wanted it to be (it actually took a few months, while nowadays I can turn something back anywhere between a week and a month). Naturally, I thought it would be nice to actually do something even better for them as well as get it done faster than expected.
Just to check up on the ministry and to see how God had been moving through them, I decided I would head over to their Facebook page. It was there that I discovered a member of their staff along with his wife and unborn child had died in a car accident just a month before. I was shocked, for I realized that he was one of the mini-interviews in the original video that I had made for them.
After my initial reaction, I realized that as a videomaker, I could bring his likeness back whenever I wanted. I could see him actively singing with kids, serving Christ, and telling his story of why he was working at this ministry. I watched the video again, and it was chilling. I also knew that I probably had some extra footage of him laying around with his image, and I could pop it into the computer whenever I wanted. That’s almost unsettling.
Granted, videos are not exactly memories, and they are certainly nothing like actually knowing a person. What I’m saying is just this – when you record someone, you are perserving them in a way. Every frame you capture of them can bring them back for just a brief moment long after they are gone from this life, and yes, this adds a little bit of romanticism to the profession. It’s beautiful in a way, and eventually, you’ll realize that you hold the responsibility of allowing a person’s loved ones and friends to simply remember who they were while living on Earth.
Can you physically bring them back? Of course not. Can you let people see the beauty of who a person was? Absolutely. They can see them move, hear their voice, and see the life in their eyes. No other media format can do this all at once.
So to my fellow videomakers, do it big.